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Worse yet, he was my boss. Jeremiah Hamilton, CEO of Hamilton Industries, a multinational business conglomerate to rival anything Trump ever produced, sat across from me in the dark limo.
Anything He Wants
That thought was embarrassing. Now it seemed I was heading to the airport to fly with him to Paris.
As his personal assistant. As far as ranking in the Worst Days Ever, this was in the top five.
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Definitely a tie for first on Most Mindboggling Day Ever. Too soon however, I noticed a traffic decrease and the car passing planes behind a tall fence. Looking out the window, I saw with some surprise the sign for Teterboro Airport. The thought sent a wave of chills up my spine, and I shivered, rubbing my arms. Oh God, what was I getting myself into? The skirt and blouse were clean, but hardly enough for any kind of overseas trip.
At this rate, my contract will be longer than Tolstoy. The flippant thought did nothing to settle my nerves. I can still leave, find another job. The sudden image of me flipping burgers for a living made me shudder, and a wave of sorrow washed over me. Could this really be my last chance? I looked up to see Jeremiah watching me. It was like he could read my mind but there was no emotion on his stoic face. Frustrated, unwilling to let him see my indecision, I clenched my jaw and refused to look away first.
The door opened, breaking our staring contest. I grabbed my bag, and climbed out past him, but thought I saw humor on his face as I passed. So he likes conflict, I thought as we were hustled into the building. An image popped into my head of me on my knees in front of him, looking up into that gorgeous face, and I felt a flutter in my belly.
Aw, dammit. The speed with which we passed through security was a novel experience. My whole body heated at that discovery but they remained professional. Once security cleared us we moved through the small waiting area and were taxied across the tarmac to our waiting flight.
The pilot allowed us to take our seats before closing the door and retreating into the cockpit.
Impressed by my surroundings, I started playing with the various gadgets and implements attached to my seat. It even had its own private phone under one thick arm rest, which I found amusing. Startled, I glanced over to see Jeremiah seated in a nearby chair. Am I signing my life away?
Sitting back in the seat, I picked up the tablet and read the whole agreement. The non-disclosure portion was a reality check, and made my lips twist cynically. Blah blah blah. He nodded. Seeing it in writing helped my mind come to terms with this absurd choice. The contract, while vague on my specific duties, gave a professional vibe to the whole situation and made me feel, well, less slutty. Who knows, maybe this is a standard contract with the rich and famous. Yet I hesitated.
I can still leave, I thought, staring at the stylus in my hand.
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I can end this silly charade, take a taxi back to my apartment The thought of living in a shelter made my blood run cold, and helplessness of my situation threatened to overwhelm me.
I have no other choice. I read through the contract twice, the enormity of my path weighing on me, then with shaky fingers I signed my name across the bottom and handed back the tablet. Jeremiah reached up and pressed the attendant button.
Immediately the engines began gearing up, and I made sure I was buckled in. Tom Stoppard was hired to come on and do a dialogue pass as a script doctor. Spielberg would later say almost every line of dialogue in the movie, including Connery's quips, was written by Stoppard. Finally, they had the script. It was time to shoot. What's nice about this movie is that it doesn't try to retcon the other two. All it does it reveal, little by little, moments of Indy's character and choices that have been inspired by making his father proud.
This undercuts the masculinity of the character and makes him into a boy who wants Daddy's affection.
Anything He Wants PDF
This so successfully subverts character archetypes and makes this a fresh sequel that could have felt stale by the third Indiana Jones movie.
What's even deeper about this quest for the grail is that it sort of sets Henry Jones up as God and Indiana up as Jesus. But that might be digging into it too deeply into film theory. The point is, when you have the theme, you can write every scene based on following its lead. Let's look at some examples. My favorite is of the old adage "X marks the spot. But as they patrol the library and work out his father's code from the grail diary, we get a different answer.
It takes us through all the emotions in Indy's head, and the writer is giving us a wink and a nod to everything he said earlier.
The other thing so special about this library scene is how it balances the tone of humor and drama. Tone can be a hard thing to nail in film genres. Spielberg never wanted this series to feel unrealistic, but he wants it to be fun and wish-fulfilling as well. Case in point, the "stamp" part of this scene is perfect.
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Breaking a hole in the floor of a quiet library would require too much of a suspension of disbelief. The way to cover for it is to trick the librarian that they're making the noise they heard in the background.
The solution is a simply timed joke that allows us to cover up a small plot hole with a joke that's fun and interesting. It also sets the tone for what is to follow and remind us that anything can happen in these movies. When I was a kid, there was nothing better than this chase scene to me. It does such an adept job of handling an entire ensemble cast without losing the heartbeat of the story. The cliff's edge provides a time lock within the scene.
We have to save these characters because the literal end of the line is quickly approaching. That cliff makes even an exciting tank scene more intense. And it really leans into the adventure genre tropes of big set pieces with life and death at stake.
And check out how part of it looks on paper. The action is split out, we always know which character's we see, and it's written in a sparse but descriptive way that lets our imagination take over. The Holy grail scene. It's funny knowing Spielberg wanted to avoid the grail at the beginning of the development process because this movie so perfectly fits inside the father and son story.
Indy can only find the true grail because of everything his father taught him.For example, the president appoints judges and departmental secretaries, but these appointments must be approved by the Senate.
Grabbing a bottle of water, I turned to leave the little kitchen area and ground to a halt when I saw him standing beside the opening. It's funny knowing Spielberg wanted to avoid the grail at the beginning of the development process because this movie so perfectly fits inside the father and son story.
Tone can be a hard thing to nail in film genres.
The skirt and blouse were clean, but hardly enough for any kind of overseas trip. This is a city of thieves. I kept my eyes straight ahead, determined to ignore his presence, until a hand carrying a glass of clear liquid appeared before me.
The Separation of Powers devised by the founding fathers was designed to do one primary thing: to prevent the majority from ruling with an iron fist. Witty rebuttals escaped me however, and I shrugged, taking a quick sip of my water. The Budget and Accounting Act of put additional responsibilities on the presidency for the preparation of the United States federal budget , although Congress was required to approve it.
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