Oct 23, Designing in 3D: Use After Effects CS6 to elevate your work and 3D Studio Max | Maximum power: Configuring Adobe CS6 | Resources: Video tutorial series: After Effects CS6: New features workshop . and PDF files after you import them into After Effects CS6. Furthermore, with the. Nov 7, Using After Effects CS5 & CS (PDF) · Learn After Effects CS5 & CS video tutorials · Adobe After Effects CS5 & CS Troubleshooting.
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System requirements | Older versions of After Effects. To learn more, see Create Motion Graphics templates in After Effects. Team Projects support. Adobe Premiere Pro CS6 Classroom in a Book includes the lesson files that you' ll need to complete Adob The Adobe Photoshop CS6 Book for Digital. Jan 8, Adobe After Effects CC is a hugely popular piece of creative software that enables you to do everything from basic motion graphics and simple.
How to use advanced color techniques How to blend, feather, and smooth Overview of Adobe Illustrator CS6 workspace 2. How to create vector artwork 3. How to draw in Illustrator 4.
How to draw in perspective with Illustrator 5. How to use symbols and patterns Key terms: illustrator cs6, graphic design, vector editing Learn how to use Adobe InDesign CS6 Technical guides include: 1. How to set up a document 3. How to use the ruler, grid, guides, and the Align panel 4.
How to use text 5.
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How to prepare files for print 6. How to combine graphics frames and text frames 7. How to work with graphics frames 8. How to place images on a page 9. How to work with text frames How to apply effects to text How to import files How to create interactive documents How to use placeholder text How to use character and paragraph styles How to work with layers How to wrap text around objects How to add page numbers How to create captions How to import text from Microsoft Word How to manage text flow between frames How to reuse objects How to transform objects How to use document templates How to use adaptive layouts How to export for multiple screens How to fill text with an image How to use master pages How to use object styles How to use books Key terms: indesign cs6, print production, digital publishing, desktop publishing Learn how to use Adobe Fireworks CS6 Technical guides include: 1.
Overview of Adobe Fireworks CS6 workspace 2. How to create a wireframe 3. How to create a design comp 4. How to prepare photographs 5. How to optimize images 6. How to create a prototype 7. How to create interactive navigation Key terms: fireworks cs6, web design Learn how to use Adobe Dreamweaver CS6 Technical guides include: 1. Overview of the Adobe Dreamweaver CS6 workspace 2.
How to set up a local root folder and site structure 3. How to set document properties 4. How to use the Assets panel 5. How to manage files and links by using the FIles panel 6.
The Dreamweaver Insert panel 7. How to deploy for multiple screens 8. How to create and edit a CSS rule 9. How to use CSS starter layouts How to lay out a web page with CSS How to use templates How to work with external Cascading Style Sheets How to troubleshoot Cascading Style Sheets How to make websites accessible How to use the Adobe Dreamweaver Widget Browser How to check files in and out How to create interactive navigation How to add images How to add rich media to a web page How to add text How to use CSS text styles How to create lists How to create links How to create data tables How to create forms How to create image maps How to preview and test a web project How to check links Understanding Flask graphic files types 3.
How to organize content 4. Symbols, instances, and the library 5. How to use guides and rulers 6. How to maintain consistency 7. How to make Flash content accessible 8. How to draw and create shapes 9. How to apply colors and gradients How to create masks How to create a button symbol How to use transparent or invisible buttons Note: When you apply an efect from the Animation Presets pop-up menu, only the current efect from the animation preset is applied.
Answers 1 Drag the thumbnail slider at the bottom of the Adobe Bridge window to enlarge thumbnail previews in the Content panel. Te following material provides additional background on formatting and animating text in After Efects.
About text layers With After Efects, you can add text to layers with fexibility and precision. You can create and edit text directly onscreen in the Composition panel and quickly change the font, style, size, and color of the text.
You can apply changes to individual characters and set formatting options for entire paragraphs, including alignment, justifcation, and word wrapping. In addition to all of these style features, After Efects provides tools for easily animating specifc characters and features such as text opacity and hue. A font is a complete set of charactersletters, numbers, and symbolsthat share a common weight, width, and style.
Most of the projects in Classroom in a Book use fonts included with the After Efects CS6 installation, but you can substitute other fonts if you prefer, or if the suggested font is not available on the system. Remind students, however, that if they use a diferent font, their projects appearance will difer from the images in the book.
Using smart quotes Smart quotes, or printers quotation marks, use a curved left or right quotation mark instead of straight quotation marks. To apply smart quotes, choose Use Smart Quotes from the Character panel menu. Editing text in text layers You can edit text in text layers at any time. If you set the text to follow a path, designate it as a 3D layer, transform it, or animate it, you can still continue to edit it.
When the Type tool is selected, move the pointer an I-beam directly over a text layer and click to edit the existing text. Click in another area in the Composition panel to create a new text layer. Shift-clicking always creates a new layer. Blending overlapping characters in a text layer For a diferent efect, you can blend overlapping characters: 1 In the Timeline panel, expand the text layer and the More Options group. Note: To blend a text layer with the layers beneath it, choose a blending mode from the Modes column in the Timeline panel.
Changing the direction of text Te Vertical Type and Horizontal Type tools create text that fows horizontally or vertically.
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Horizontal text fows from left to right; multiple lines of horizontal text lie from top to bottom. Vertical text fows from top to bottom; multiple lines of text lie from right to left. When you convert the vertical or horizontal orientation of a text layer, paragraph text justifable text that wraps within a bounding box behaves diferently from point text independent lines of text because paragraph text fows relative to its bounding box while point text lies relative to the Composition panel.
For example, when you convert paragraph text from horizontal to vertical, or vice versa, the texts bounding box doesnt change its orientation, but the fow of text inside the box does. You can browse and apply text animation presets as you would any other animation presets. Some preset animations move the text on, of, or through the composition. Te animation preset position values may not be appropriate for a composition that is much larger or smaller than x ; for example, an animation that is supposed to start ofscreen may start onscreen.
You may need to adjust the text animators position values. If the text isnt positioned as expected or the text disappears unexpectedly, adjust the text animators position values in the Timeline or Composition panel Te Paths category of text animation presets automatically replaces source text with the presets name, changes the font color to white, and may change other character properties.
Te Fill And Stroke category of animation presets contains presets that may change the fll color and stroke properties of the preset that you apply. If the animation preset requires a stroke or fll color, the animation works only if you have assigned one to your text. Adobe After Efects CS6 Classroom in a Book 9 Animating text with text animator groups Once you create and format your text layers, use text animator groups to quickly and easily create elaborate animations.
A text animator group includes one or more selectors and one or more animator properties. A selector is like a maskit specifes which characters or section of a text layer you want an animator property to afect. Using a selector, you can defne a percentage of the text, specifc characters in the text, or a specifed range of text. Using a combination of animator properties and selectors, you can create complex text animations that would otherwise require painstaking keyframing.
Most text animations require you to animate only the selector valuesnot the property values. Consequently, text animators use a small number of keyframes even for complex animations. Text animator groups animate a characters position, shape, and size-related prop- erties relative to each characters own anchor point. Te text property Anchor Point Grouping lets you reposition each characters anchor point relative to its word, line, or entire text block.
In addition, you can control the alignment of the anchor point relative to the anchor point group and the font with the Grouping Alignment property. Each animator group includes a default Range selector.
You can add additional Range selectors to an animator group or add multiple animator properties that use the same Range selector. In addition to this Range selector, you can add a Wiggly selector.
Use the Wiggly selector to create selections that wigglevary within a specifed amountover time. You can add one or more Wiggly selectors to an animator group, and that animator group can contain one or more properties.
When you add multiple selectors to an animator group, you can control the way they interact with each other by using each selectors Mode property. You can set values for the Start and End properties by changing the values in the Timeline panel or by using the selector bars in the Composition panel. About the Expression selector Te Expression selector lets you dynamically specify how much characters are afected by an animator property through the use of expressions.
You can add one or more Expression selectors to an animator group, and that animator group can contain one or more properties. Answers 1 In point text, each line of text is independent; in paragraph text, the text wraps within the bounding box as you form one or more paragraphs. Use the Paragraph panel to format paragraph-level attributes, such as indentation.
Lesson 4: Working with Shape Layers Shape layers are separate layers that contain vector-graphics objects called shapes. By default, a shape consists of a path, a stroke, and a fll. Shape layers provide a straightforward way of creating flled shapes in a composition, without having to create a solid layer and then mask it. In Lesson 4, students use shape layers to create the background for the introduction of a reality series. Tese notes provide addi- tional information about shapes and shape layers.
About shapes You create a shape layer by drawing in the Composition panel with one of the shape tools the Rectangle, Rounded Rectangle, Ellipse, Polygon, or Star tool or the Pen tool.
Shape layers are not based on footage items. Layers that are not based on foot- age items are sometimes called synthetic layers. Text layers are also synthetic layers and are also composed of vector-graphics objects, so many of the rules and guide- lines that apply to text layers also apply to shape layers. For example, you cant open a shape layer in a Layer panel, just as you cant open a text layer in a Layer panel.
Tere are two varieties of shape paths: parametric shape paths and Bezier shape paths. Parametric shape paths are defned numerically, by properties that you can modify and animate after drawing, in the Timeline panel.
Bezier shape paths are Adobe After Efects CS6 Classroom in a Book 11 defned by a collection of vertices path points and segments that you can modify in the Composition panel. When you create a shape by dragging with a shape tool in the Composition panel, you create a parametric shape path.
You can release the key before you complete the drag operation. You work with Bezier shape paths in the same way that you work with mask paths. All mask paths are Bezier paths. You apply a stroke to a path or fll the area defned by a path with color by applying paint operations. Shape paths, paint operations, and path operations for shapes are collectively called shape attributes. You add shape attributes using the Add menu in the Tools panel or in the Timeline panel.
Each shape attribute is represented as a property group in the Timeline panel, with properties that you can animate, just as you do with any other layer property.
You can save custom shapes as animation presets. Creating shapes and shape layers To create a shape layer, draw in the Composition panel with a shape tool or the Pen tool. By default, if you draw in the Composition panel when a shape layer is selected, you create a new shape within that shape layer, in front of the selected shapes or group of shapes.
If you draw in the Composition panel using a shape tool or Pen tool when an image layer other than a shape layer is selected, you create a mask. To create a new shape layer, frst press F2 to deselect all layers, and then draw in the Composition panel. A polygon is a star without an Inner Radius or Inner Roundness property, so when you create either a polygon or a star, After Efects calls the shape a polystar.
A new shapes fll and stroke are determined by the Fill and Stroke settings in the Tools panel when the shape is drawn. To change the fll and stroke, select the shape, and change the Fill and Stroke settings in the Tools panel.
Each shape tool retains the settings of the most recent drawing operation performed with that tool. For example, if you draw a star and modify the number of points to be 10, the next star you draw will also have 10 points.
To reset a tools settings and create a shape with the default settings, double-click the tool in the Tools panel. To draw a mask on a shape layer, select a shape or Pen tool, and then click the Tool Creates Mask button in the Tools panel.
Ten, draw the mask. To reposition a shape or mask as you are drawing, hold the spacebar or the middle mouse button while dragging. To scale a circle, ellipse, square, rounded square, rectangle, or rounded rectangle around its center while drawing, hold the Ctrl Windows or Command Mac OS key after you begin dragging. Dont release the key until you have released the mouse button to fnish drawing.
To cancel the drawing operation, press Escape. To create a shape the size of the layer, select an existing shape layer or deselect all layers to create a new layer, and then double-click a shape tool in the Tools panel.
Creating shapes from text characters You can convert individual text characters into shapes. To create shapes for all the characters in a text layer, select the text layer in the Timeline panel or the Composition panel; to create shapes for specifc characters, select only those charac- ters in the Composition panel.
Te Create Shapes From Text command extracts the outlines for each character, creates shapes from the outlines, and puts the shapes on a new shape layer. You can then use these shapes as you would any other shape. Te new shape layer is created at the top of the layer stacking order.
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Te new layer contains one shape group for each selected character, plus fll and stroke proper- ties that match those of the text. When characters consist of compound paths, such as i and e, multiple paths are created and combined with the Merge Paths path operation. Efects, masks, layer styles, and keyframes and expressions for properties in the text layers Transform property group are copied to the new shape layer. Te Video switch for the text layer is turned of.
About groups and render order for shapes Tough by default a shape consists of a single path, a single stroke, and a single fllarranged from top to bottom in the Timeline panelmuch of the power and fexibility of shape layers arises from your ability to add and reorder shape attributes and create more complex compound shapes.
A group is a collection of shape attributes: paths, flls, strokes, path operations, and other groups. Each group has its own blending mode and its own set of transform properties. By assembling shapes into groups, you can work with multiple shapes simultaneouslysuch as scaling all shapes in the group by the same amount or applying the same stroke to each shape. You can even place individual shapes or individual shape attributes within their own groups to isolate transformations.
For example, you can scale a path without scaling its stroke by grouping the path by itself. When you add a shape attribute using the Add menu in the Tools panel or Timeline panel, the attribute is added within the group that is selected. By reordering and grouping shapes and shape attributes, you can afect their rendering order with respect to other shapes and shape attributes Questions Te following questions are not in the students Classroom in a Book.
Ten click the Fill Color box to open the Gradient Editor, and assign colors to the color stops. You can change the number of points, Outer Roundness value, and other properties.
Lesson 5: Animating a Multimedia Presentation Lesson 5 builds a complex animation involving multiple layers, several types of keyframes, audio, and more. It starts from a layered, imported Adobe Photoshop fle. Tese notes provide additional background and teaching material on how After Efects works with Photoshop and Adobe Illustrator fles.
After Efects imports attributes that were applied in Photoshop, including position, blending modes, opacity, visibility, transparency alpha channel , layer masks, layer groups imported as nested compositions , adjustment layers, common layer styles Drop Shadow, Inner Shadow, Outer Glow, Inner Glow, Bevel and Emboss, and Color Fill , layer clipping paths, vector masks, image guides, and clipping groups.
When you import an Illustrator fle, After Efects makes all empty areas transparent by converting them into an alpha channel. However, After Efects does not read embedded color profles from Illustrator fles. To ensure color fdelity, assign an input color profle to the Illustrator footage item that matches the color profle with which the Illustrator fle was created. You can import a multilayered Photoshop or Illustrator fle in the following ways: As a new composition, with each layer in the Photoshop or Illustrator fle becoming a separate layer in the composition that keeps its original dimensions.
Tis option, Composition - Retain Layer Sizes, makes it easier to manipulate layers and speeds their rendering time.This first-time-user's tutorial gives you an introduction to After Effects, including how to launch the application, import files, and organise assets in the Project panel. How to create interactive documents Adobe After Effects has so much capability that there is always more to learn.
How to use books. How do we go about downloading CS6 so she can download the software? How to apply effects to text Designers, animators and compositors use motion graphic software like After Effects to create visual effects and manipulated video content for TV, movies, and the web. How to manage files and links by using the FIles panel 6.
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